Another adventure brings Sherlock Holmes and Dr. Watson face to face with Albert Einstein
SHERLOCK HOLMES AND THE
MYSTERY OF EINSTEIN’S DAUGHTER
Publisher: MX Publishing
Publication Date: January 13, 2014
The Dean of a Swiss university persuades Sherlock Holmes to investigate the background of a would-be lecturer. To Dr. Watson it seems a very humdrum commission – but who is the mysterious ‘Lieserl’? How does her existence threaten the ambitions of the technical assistant level III in Room 86 at the Federal Patents Office in Berne by the name of Albert Einstein? The assignment plunges Holmes and Watson into unfathomable Serbia to solve one of the intractable mysteries of the 20th Century.
In Tim Symonds’ previous detective novels, Sherlock Holmes and the Dead Boer At Scotney Castle and Sherlock Holmes And The Case Of The Bulgarian Codex the author based pivotal historic facts and a principal character on real life. So too in this new mystery.
“Einstein’s Daughter by Tim Symonds takes the reader back to the early years of the 20th Century. It is an enjoyable romp for both Sherlock Holmes fans and for history buffs. The story is based on a true fact of Albert Einstein’s life and it is interwoven with Sherlockian grace. There are many Holmes pastiches, but Symonds manages to find the true voice of Conan Doyle.”
– Yvonne Beltzer
About Tim Symonds
Tim Symonds was born in London, England, and grew up in Somerset, Dorset and the Channel Island of Guernsey, off the coast of Normandy. After spending his late teens farming in the Kenya Highlands and driving bulldozers along the Zambezi River, he moved to California and graduated Phi Beta Kappa from UCLA with an honours degree in Politics.
He lives in the ancient woodland known as the High Weald of Sussex, where the events recounted in Sherlock Holmes and The Dead Boer at Scotney Castle took place. His second novel, Sherlock Holmes and the Case of the Bulgarian Codex (MX Publishing 2012), took Holmes and Watson into the very depths of the Balkans in 1900. Holmes and Watson were back in the region – Serbia – in Sherlock Holmes And The Mystery of Einstein’s Daughter (MX Publishing 2014), and not long afterwards in ‘Stamboul’ investigating a plot against the despotic Sultan, in Sherlock Holmes And The Sword of Osman (MX Publishing 2015).
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Zorka’s Magical Marionette Show
Slowly, to joyous calls from the marionettes, a wooden crib descended from the dark of the roof. The cot tilted and swayed like a lifeboat lowered in a storm. The marionettes crowded around it, welcoming a new baby into the world. Their hand movements and excited exclamations proclaimed their delight. The proud terracotta mother hovered over the troupe, looking down. On one foot she wore an ugly orthopaedic shoe. A marionette broke an egg for luck over the face of the new-born infant. Other marionettes swung into a wild dance, with nimble, high-stepping footwork as though to give zest to the new soul. The swirling kolo reached a frenzy.
A crash of thunder rattled the small auditorium. A disquieting barefoot human hurled herself swooping and twirling into the throng of marionettes. Dark hair fell in an avalanche of curls on the left eye, obscuring her face. A paste made from talc and tamarind seeds applied to the face, hands and feet gave a lustrous ivory glow to her skin. A black pearl drooped heavily from one ear, a pink pearl from the other, giving an odd and bewildering witchery. The wild dancing came to an abrupt halt. As though the lid had been lifted off a beehive, a buzz rose from the audience. In awed whispers, the name ‘Zorka’ seeped around the auditorium.
With an air of menacing command, Zorka ordered the marionettes to turn back and look again into the cot. One by one they obeyed. They went strangely silent as they stared down more intently at the new-born infant. A female marionette called out, beseeching someone in the outer darkness to approach. A midwife puppet appeared and examined the infant. With a high-pitched cry of anguish she turned to face the audience, her hands clasped in prayer. The music switched tempo from joyous to menacing. The musicians broke into a shrill falsetto, a wild, inhuman sound, in an attempt to frighten off the evil eye. The agonised mother cried out, realising something terrible was about to happen.
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